The naming of Cats is a difficult matter, It isn't just one of your holiday games; You may think at first I'm as mad as a hatter When I tell you, a cat must have THREE DIFFERENT NAMES. So begins one of the best-known poetry collections of all time. The practical cats need no introduction, but this stunning new full-colour version, illustrated by Júlia Sardà, is the perfect companion to Old Toffer's Dogs. Whether you are a cat or a dog person, you will be enchanted by Júlia's highly original interpretation.

'That crown which he set on his lifetime's effort.' Ted Hughes

Four Quartets is the culminating achievement of T. S. Eliot's career as a poet. This edition is based on the design made by Giovanni Mardersteig for his letterpress edition of 1960 and marks the seventy-fifth anniversary of its first publication in the UK by Faber & Faber in 1944.

'Throughout these poems there is also the invention of new rhythms, of unimagined possibilities in the movement of language . . . He is perhaps more original and inventive in rhythm than any other poet in English.' Delmore Schwartz

'The most original contribution to poetry that has been made in our time.' Edwin Muir

A stunning new gift edition of this much-loved classic, with the celebrated black-and-white illustrations by Edward Gorey. Cats! Some are sane, and some are mad. Some are good, and some are bad . . . The whimsical 1982 Old Possum's illustrations have been lovingly restored and are showcased in this beautiful new poetry edition, perfect for children and Eliot aficionados alike. These lovable cat poems were written by T. S. Eliot for his godchildren and continue to delight children and grown-ups. The collection inspired the musical Cats!, and features Macavity, Mr Mistofelees and Growltiger!

Chosen by Eliot himself, the poems in this volume represent the poet's most important work before Four Quartets. Included here is some of the most celebrated verse in modern literature-"The Love Song of J. Alfred Prufrock," "Gerontion," "The Waste Land," "The Hollow Men," and "Ash Wednesday"-as well as many other fine selections from Eliot's early work.

When the New York Public Library announced in October 1968 that its Berg Collection had acquired the original manuscript of The Waste Land, one of the most puzzling mysteries of twentieth-century literature was solved. The manuscript was not lost, as had been believed, but had remained among the papers of John Quinn, Eliot's friend and adviser, to whom the poet had sent it in 1922. If the discovery of the manuscript was startling, its content was even more so: the published version of The Waste Land was considerably shorter than the original. The manuscript pages illuminate how the famously elliptical poem was reduced and edited through the handwritten notes of Ezra Pound; of Eliot's first wife, Vivien; and of Eliot himself. So that this material could be made widely available, the poet's widow, Valerie Eliot, prepared the facsimile edition for publication in 1971, reproducing each page of the original manuscript with a clear transcript, an enlightening introduction, and explanatory notes. In celebration of the centenary of the poem, published in the United States by Boni & Liveright in 1922, Eliot's manuscript pages are presented in vivid color for the first time. The updated facsimile edition also offers a new appendix-including a sheet of Valerie Eliot's corrections discovered in the Faber archive in 2021-and an insightful afterword from Faber poetry editor Matthew Hollis. Complete with the text of the first published version of The Waste Land, this definitive volume reveals the evolution of a landmark work of the twentieth century and its enduring legacy.

'We must simply expose ourselves to the personality of a woman of genius, of a kind of genius akin to that of the saints.' - T.S. Eliot in the Preface

'What is required if men and women are to feel at home in society and are to recover their vitality? Into wrestling with that question, Simone Weil put the very substance of her mind and temperament. The apparently solid edifices of our prepossessions fall down before her onslaught like ninepins, and she is as fertile and forthright in her positive suggestions . . . she can be relied upon to toss aside the superficial and to come to grips with the essential and the profound.' - Time Literary Supplement

April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain . . . Published in 1922, The Waste Land was the most revolutionary poem of its time, offering a devastating vision of modern civilisation which has lost none of its power as we enter a new century.

At long last, T. S. Eliot's prose, together in this definitive 8-volume collection. This monumental eight-volume edition of modern literature brings together, for the first time in print, all of the vastly influential prose writings of Nobel laureate T. S. Eliot, the poet and dramatist whose theories and criticism shaped twentieth-century thought and literature around the world. This complete collection provides access to over 6,000 pages of Eliot's nonfiction prose writings on literature, philosophy, religion, cultural theory, world politics, and other topics of urgent and enduring import. It includes all of the essays that he collected in his lifetime, but also more than 1,000 uncollected, unrecorded, or unpublished items, many of which were missing or inaccessible for decades. From the formative "Interpretation of Primitive Ritual" (1913), written in graduate school at Harvard, to the summative "To Criticize the Critic" (1961), the Complete Prose offers readers full access to the immense scope and variety of Eliot's works in their biographical, historical, and cultural context. The individual volumes have received the highest praise from prominent scholars: volume II won the Modernist Studies Association's 2015 Book Prize for an Edition, Anthology, or Essay Collection, while volumes V and VI were jointly awarded the 2017 Prize for a Scholarly Edition by the Modern Language Association. They display "uniform excellence," wrote the Awards Committee: "Their thorough textual introductions, sophisticated annotations merging intelligent commentary with brevity and completeness, make the volumes a pleasure to read . . . and enlarge our understanding of Eliot as the public intellectual at work." Together with recent editions of the Poems, the eight volumes of Letters, and the sensational opening in 2020 of Eliot's letters to Emily Hale, the Complete Prose brings us to the threshold of a new age for the study of Eliot and the modernist writers of his day. Project MUSE is home to the fully searchable online edition of The Complete Prose of T. S. Eliot. Volume 1: Apprentice Years, 1905-1918, edited by Jewel Spears Brooker and Ronald Schuchard Volume 2: The Perfect Critic, 1919-1926, edited by Anthony Cuda and Ronald Schuchard Volume 3: Literature, Politics, Belief, 1927-1929, edited by Frances Dickey, Jennifer Formichelli, and Ronald Schuchard Volume 4: English Lion, 1930-1933, edited by Jason Harding and Ronald Schuchard Volume 5: Tradition and Orthodoxy, 1934-1939, edited by Iman Javadi, Ronald Schuchard, and Jayme Stayer Volume 6: The War Years, 1940-1946, edited by David E. Chinitz and Ronald Schuchard Volume 7: A European Society, 1947-1953, edited by Iman Javadi and Ronald Schuchard Volume 8: Still and Still Moving, 1954-1965, edited by Jewel Spears Brooker and Ronald Schuchard

T.S. Eliot considered George Herbert one of the liveliest and most profound of English poets with whose work he felt an instinctive accord. Describing The Temple as ... 'not simply a collection of poems but ... a record of the spiritual struggles of a man of intellectual power and emotional intensity who gave much toil to perfecting his verses ...' T.S. Eliot considered Herbert's religious verse above John Donne's and placed him firmly in the ranks of the great English poets. Peter Porter's new introduction gives a fresh perspective on the poetry of Herbert and on Eliot's study itself.

Eliot's famous collection of nonsense verse about cats-the inspiration for the Andrew Lloyd Webber musical Cats. This edition features pen-and-ink drolleries by Edward Gorey throughout.

'The cat himself knows and will never confess...' To celebrate Old Possum's 75th anniversary we have commissioned lively new illustrations from Rebecca Ashdown for T. S. Eliot's original book of Practical Cats. Featuring Macavity, the Mystery Cat; Mr Mistofelees, the Original Conjuring Cat; Mungojerrie and Rumpelteazer and all the gang, this is a must for every child's bookshelf and is a great companion to the Andrew Lloyd Webber stage show.

A stunning new edition of T. S. Eliot's beloved cat poems Old Possum's Book of Practical Cats, containing beautiful original colour illustrations by Axel Scheffler. Cats! Some are sane, some are mad and some are good and some are bad. Meet magical Mr Mistoffelees, sleepy Old Deuteronomy and curious Rum Tum Tugger. But you'll be lucky to meet Macavity because Macavity's not there! In 1925 T.S. Eliot became co-director of Faber & Faber, who remain his publishers to this day. Throughout the 1930s he composed the now famous poems about Macavity, Old Deuteronomy, Mr Mistoffelees and many other cats, under the name of 'Old Possum'. In 1981 Eliot's poems were set to music by Andrew Lloyd Webber as Cats which went on to become the longest-running Broadway musical in history. 'If cats, witchy or not, are your child's thing don't miss the new Old Possum's Book of Practical Cats.' The Times 'A lovely edition of an old favourite . . . it will be enjoyed again and again.' Carousel 'Classic cat poems . . . are given a delightful new look.' LoveReading4Kids

'We must simply expose ourselves to the personality of a woman of genius, of a kind of genius akin to that of the saints.' - T.S. Eliot in the Preface

'What is required if men and women are to feel at home in society and are to recover their vitality? Into wrestling with that question, Simone Weil put the very substance of her mind and temperament. The apparently solid edifices of our prepossessions fall down before her onslaught like ninepins, and she is as fertile and forthright in her positive suggestions . . . she can be relied upon to toss aside the superficial and to come to grips with the essential and the profound.' - Times Literary Supplement

'The best spiritual writer of this century.' - André Gide

This selection, which was made by Eliot himself, is intended as an introduction to the main body of his poetry prior to Four Quartets, which is available separately in Faber Paperbacks. The selection includes the whole of The Waste Land.

Published in 1922, The Waste Land was the most revolutionary poem of its time, offering a devastating vision of modern civilization between the two World Wars.

Four Quartets is the culminating achievement of T.S. Eliot's career as a poet. While containing some of the most musical and unforgettable passages in twentieth-century poetry, its four parts, 'Burnt Norton', 'East Coker', 'The Dry Salvages' and 'Little Gidding', present a rigorous meditation on the spiritual, philosophical and personal themes which preoccupied the author. It was the way in which a private voice was heard to speak for the concerns of an entire generation, in the midst of war and doubt, that confirmed it as an enduring masterpiece.

Times Literary Supplement Book of the Year Pegasus Award for Poetry Criticism, Poetry Foundation, Chicago Richard J. Finneran Award, Society for Textual Scholarship Best Scholarly Edition Award, Modernist Studies Association The Poems of T. S. Eliot is the authoritative edition of one of our greatest poets, scrupulously edited by Christopher Ricks and Jim McCue. It provides, for the first time, a fully scrutinized text of Eliot's poems, carefully restoring accidental omissions and removing textual errors that have crept in over the full century in which Eliot has been so frequently printed and reprinted. The edition also presents many poems from Eliot's youth which were published only decades later, as well as others that saw only private circulation in his lifetime, of which dozens are collected for the first time. To accompany Eliot's poems, Christopher Ricks and Jim McCue have provided a commentary that illuminates the creative activity that came to constitute each poem, calling upon drafts, correspondence and other original materials to provide a vivid account of the poet's working processes, his reading, his influences and his revisions. The first volume respects Eliot's decisions by opening with his Collected Poems 1909-1962 in the form in which he issued it, shortly before his death fifty years ago. There follow in this first volume the uncollected poems from his youth that he had chosen to publish, along with such other poems as could be considered suitable for publication. The second volume opens with the two books of poems of other kinds that he issued, Old Possum's Book of Practical Cats and his translation of Perse's Anabase, moving then to verses privately circulated as informal or improper or clubmanlike. Each of these sections is accompanied by its respective commentary, and then, pertaining to the entire edition, there is a comprehensive textual history recording variants both manuscript and published. The Poems of T. S. Eliot is a work of enlightening scholarship that will delight and inform all those who read Eliot for pleasure, as well as all those who read with pleasure and for study. Here are a new accuracy and an unparalleled insight into the marvels and landmarks from The Love Song of J. Alfred Prufrock and The Waste Land through to Four Quartets.

I have a Gumbie Cat in mind, her name is Jennyanydots. Her coat is of the tabby kind, with tiger stripes and leopard spots. All day she sits upon the stair or on the steps or on the mat: She sits and sits and sits and sits - and that's what makes a Gumbie Cat! But the Old Gumbie Cat gets busy at the end of the day, teaching and cooking, and getting the mice, cockroaches and beetles organised! The sixth gorgeous Cats picture book with lively and colourful illustrations by Arthur Robins.

T.S. Eliot - editor, poet, critic and publisher - was the greatest poet of his generation. The winner of the 1948 Nobel Prize for Literature, virtually every English language poet since owes him a debt of gratitude. Voted as Britain's favourite poet in a 2009 BBC poll, Eliot selected and designed this collection himself in 1954 as an introduction to his work for new readers. Containing 'The Waste Land' and 'The Love Song of J. Alfred Prufrock', Selected Poems is the perfect way to begin with one of the defining figures of the twentieth century. This edition also features an introductory essay by Seamus Heaney.

Poet, dramatist, critic and editor, T. S. Eliot (1888-1965) was one of the defining figures of twentieth-century poetry. This edition of The Complete Poems and Plays, published for the first time in paperback, includes all of his verse and work for stage, from Prufrock and Other Observations (1917) to Four Quartets (1943), and includes such literary landmarks as The Waste Land, Old Possum's Book of Practical Cats and Murder in the Cathedral.

Here, for the first time, is a fully scrutinized text of Eliot's poems, carefully restoring accidental omissions and removing textual errors that have crept in over the full century in which Eliot has been so frequently printed and reprinted. The edition also presents many poems from Eliot's youth which were published only decades later, as well as others that saw only private circulation in his lifetime, of which dozens are collected for the first time.

The first volume respects Eliot's decisions by opening with his Collected Poems 1909-1962 in the form in which he issued it, shortly before his death fifty years ago. There follow in this first volume the uncollected poems from his youth that he had chosen to publish, along with such other poems as could be considered suitable for publication.

The Poems of T. S. Eliot is a work of enlightening scholarship that will delight and inform all those who read Eliot for pleasure, as well as all those who read with pleasure and for study. Here are a new accuracy and an unparalleled insight into the marvels and landmarks from The Love Song of J. Alfred Prufrock and The Waste Land through to Four Quartets.

T.S. Eliot's widow has been working on her husband's letters for three decades, and this is the second of five volumes, for the first of which she won the Rose Mary Crawshay Prize. The material has been assembled from collections, libraries, sale rooms, archives and private sources all over the world, and Valerie Eliot has also drawn extensively upon her own archive in London. From the start of the period covered by this volume, the Eliots entered upon several years of anxiety and financial hardship. The strains of his job at Lloyds Bank, with virtually every evening and weekend spent writing, added to the pressures on the marriage, and on their health. It was in these circumstances that, as the letters show, Eliot wrote "Sweeney Agonistes" and "The Hollow Men". He also began to be drawn to the religious life, and at the end of the period covered by this volume he was baptized and confirmed in the Church of England, a step which shocked or alienated many admirers. In 1925 Eliot had left the bank after ten years to join the new publishers, Faber and Gwyer, and in 1927 he became a British citizen.